I have launched my art website: http://www.joycelinleahy.com
We all have passion and dreams, and I’m so proud to be able to share one of mine with you – through my art. Thank you for being part of my network in this beautiful world. My current batch of work is concentrated in Papua New Guinea, where I’m from. I can produce work on any subjects. The website is also a sample of websites my team can build and this service is available.
To be an e-commerce website was not smooth sailing as I had initially thought. Life as an artist itself is not easy, just like our lives as writers, and doing something you love doesn’t often put your meals on your table nor pay your mortgage. But we cannot give in, as creators, it is important to live our purpose and share what we are gifted with and enjoy through sharing the joy it brings to others.
There is one person this site would not have been possible without his help, and that person is Fateh Singh from Mind Tech Solutions. Thank you for your constant patience with a very fiery passionate and often impatient artist.
Please visit http://www.joycelinleahy.com and if you have any feedback – let me know on, firstname.lastname@example.org. You can also comment right here on this blog post.
If you can, I’d appreciate all my blog followers, contacts, friends and family members sharing this link http://www.joycelinleahy.com with your own network so I can get my art across the world.
You will find mostly limited edition prints and my fashion collection on the website. Original paintings and commission work including portraits are available, please contact me for prices.
New watercolour artwork above – “Muruk” a large cassowary (ground bird) and below two framed watercolour originals from my Solo Art Exhibition at the Royal Papua Yacht Club, Port Moresby, in November 2017, Papua New Guinea.
Death toll reaches 75 and still counting. Major earthquake in Papua New Guinea (measuring 7.5) over a week ago with two major aftershocks leaves devastation throughout remote parts of Hela and Southern Highlands Province. There is uncertainty on the amount of damage and casualties without access, however, large areas of food gardens have been destroyed and this will cause food shortage in the coming weeks. PNG journalist Scott Waide has this update.
Timu village, Komo-Magarima is unrecognisable. Seven people are buried under the rubble.
In Timu village, Komo-Magarima district of the Hela Province, the pain of losing loved ones is still raw eight days on.
The old men cry for the loss of their sons, daughters and grandchildren who died in the landslip caused by the quake.
The village is unrecognisable. It has been replaced by tons of rock and debris.
“This is where we found the body of a baby girl. She was still breast feeding. Then we found her mother and older sister,” said Timu villager, Ando Tangiato.
A crew made up of NBC’s Sylvester Gawi and EMTV cameraman, Raguel Kepas, travelled with Dr. Tana Kiak into Timu village where it was reported that 30 people had died.
It has been difficult getting information from places like Timu. Getting accurate information is difficult and expensive. As the helicopter circled the…
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Short Story finalists from the Crocodile Prize – Papua New Guinea’s national annual literary competition.
Below are the five best short stories entered for the Short Story Category of the 2017 Crocodile Prize Competition. The numbers of the short stories entered for the 2017 Crocodile Prize Competition was low compared to the previous years. But the quality has been outstanding. The story lines and characters were better developed. The stories were better organised so the build-up to a climax were deliberate and entertaining. The emerging writers have also come from a more diverse background. Electricians to carpenters and Literature students of the University of Papua New Guinea and more. Several of these are first timers who do not identify themselves as writers. The following titles below were the selected short list of the winners after the long process of filing, culling and judging. Only one more process is left, that is: Selection of the overall winner among the 5 winners as identified by the judges.
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A self-taught artist, this man showed artistic skills as a child by simply drawing fishermen on the sandy beaches in his remote Papua New Guinea village. Years later, he ventured into higher education and became a medical doctor, yet never leaving behind his love of drawing.
Born in 1957 in Loniu Village, on Los Negros Island, in Manus Province, Powesiu Lawes’ art began as drawings in the sand. He recalls that he always enjoyed capturing images of fishermen catching fish on the reef at dawn and later at dusk.
A gifted school student, he quickly accelerated from Primary to Secondary School in Manus Province, during the Australian colonial administration. From his home province, Manus, he was selected into the elite Sogeri Senior High School outside Port Moresby (now PNG Capital) in the early 1970s. He was recognised at each school he attended as a talented artist, actor, sportsman and gifted student whose abilities would enable him to do anything he wanted in the soon-to-be newly independent Papua New Guinea. PNG gained its Independence in September 16, 1975.
At that time, Powesiu was expected to train to become one of PNG’s first airline pilots, but he rejected this path and began medical school. While studying medicine, he produced a collection of work published in his first book of art – Wati Kui: “I always wanted to help people, so medical school was a natural choice and my art and the first book – Wati Kui – was one way to pay my way through my medical training”.
After graduating from medical school, Powesiu Lawes spent some years as the senior medical officer in the PNG Navy. Then he began his private medical practice in Port Moresby. He maintained his art rugby union coaching and stayed closely connected to his beloved Loniu Village, by regularly trips home.
In 2009, he retired from medical practice and returned to Loniu Village where he was elected the Councillor of Loniu, Los Negros’ largest village. The village has its own distinct language and cultural practices and is also known for producing PNG’s educated elite such as PNG’s Supreme Court judges, academics, diplomats, doctors, scientists and lawyers. Powesiu Lawes’ art is one central strategy in keeping Loniu’s cultural practices alive, along with his aim of establishing a Loniu Culture House in the village to teach Loniu’s youth their unique practices.
“Without a good grounding in the tradition of their birth” he said, “many of them will lose their way once they leave the village for the bright lights and temptations of Lae, Port Moresby and beyond. I never did, because of the very grounding I had”.
About art, he said he has tried many different mediums – using brushes, spray painting for murals, and coloured inks; but the result that black ink on white paper gives, is the medium that gives him the greatest satisfaction. He has completed a second book – Wati Kui 2 – and its drawings are currently shown in Redlands Performing Art Centre in Cleveland (Brisbane, Australia). It is part of the Melanesian Wantok Showcase. Here are some of Dr Lawes’ artwork and their stories
The ‘Loniu Files’: Some customs and traditions of the Loniu people
Loniu, like many other societies, has a well-developed set of cultural practices and traits that have provided reference points for Loniu’s cultural, social and spiritual development over hundreds of years. These have contributed to refined sets of knowledge and skills that have sustained and maintained Loniu society. The Loniu Files is a set of shared and understood ideas, idiosyncrasies, beliefs, values, knowledge and language. The substance of these has stood time’s test and cannot be disproven nor proven.
Aspects of Loniu’s culture are respect (u-uie), being sorry (kolumwamwa) and having shame (pulemachi), to whom, for what, and why; clans, their names, their number and the existence and origins of sub clans, along with each clan’s and sub clans’s origin stories and particular practices (reke pwen); in the various fishing methods, by which clans they are owned them, for what fish and whether for private or public consumption; the layout and size of a clan house (haus boi); utterances made by whom, when, where and for what purpose; who can make public speeches, where he sits or stands and why; land and sea uses and how and why, in the case of land or other property, it is given away; stages of custom and traditional practice during or after a death, when a woman is ready to marry, and gets married; and in the case of two or more wives, the use and distribution of land and other property; who is considered a leader and why; who gives advice to and stays with a young girl in her first menstruation, the advice given and why; who speaks in a haus boi during a customary event, gathering or happening, and why; circumcision of young males, the curses (pen) shouted at them by patrilineal relatives (lau-a-niataman, family of father) and why.
These are but a few of Loniu’s cultural traits with many more needing documentation. Efforts are being made to document the Loniu culture and to preserve its language. It is our identity that, because of modern influences and intermarriage, has deteriorated. Because of ignorance of the power of new ideas, practices and attitudes, not recognising these causes early enough, we have failed.
Wealth is always used in very important transactions in Loniu society. Clay pots, wooden bowls, grass skirts, arm bands or waist bands, shell money, dog’s teeth and sometimes cowry shells.
They can be used to reciprocate for a large supply of food given to a husband’s people as bride price or as death payments to a deceased father’s people; again as in reciprocation for previous work done or land used and money or other customary events and obligations, such as in a circumcision ceremony.
Melanesian Wantok Showcase
I am proud to announce that a collection of my artwork (art, textiles and pencil drawing) will be in a community art exhibition to celebrate the Melanesian Wantok Showcase. This exhibition opens in the Redland Performing Art Centre in Cleveland tomorrow. The music concert and will be on September 17, featuring musicians from Papua New Guinea and other Melanesian countries.
Contemporary Textile Art – Papua New Guinea
Kalem – Warrior Woman fashion. Designed by J.K.Leahy. A selection of leather handbags and silk dresses on exhibition with natural fibre woven bags in Wantok Melanesian Showcase. Redland Performing Art Centre, Queensland.
Pen and Ink Drawings – Dr Pomasiu Lawes
A taste of Melanesia in Cleveland
Head along to Redland Performing Arts Centre (RPAC) for a night of Melanesian music and culture when WANTOK Musik performs on Sunday 17 September, on the weekend of Papua New Guinea’s (PNG) Independence. This showcase celebration is a partnership in community cultural development with the Quandamooka Festival and is an exciting opportunity to experience a coming together of Quandamooka and Melanesian communities, artists and musicians.
The evening will feature a fabulous line-up of contemporary and traditional Melanesian musicians. George Telek from PNG will headline the concert, bringing his signature blend of contemporary and traditional Melanesian rhythms to the RPAC stage. Telek will be joined by Charles Maimarosia from the Solomon Islands who will astound you with his talent on the pan pipes, Tio from Vanuatu with his amazing vocals, ukulele, guitar and violin skills, and Ben Hakalitz from PNG who will bring 30 years of musical experience and amazing technique on the drums to the night of celebration. They will be joined by a number of other musicians from PNG and West Papua, for an amazing night of indigenous music and culture.
There will also be the opportunity to enjoy some Melanesian food on the RPAC Piazza, and browse the art and craft display in the Concert Hall Foyer, to complete your night of Melanesian indulgence. This art and craft display curated by PNG artist/curator Joycelin Leahy in partnership with RPAC’s Elaine Seeto will be open to the public throughout the month of September, to give you more opportunity to enjoy the pieces on display. The exhibition opens tomorrow (September 4).
Don’t miss this coming together of Melanesian, Quandamooka and wider Redland communities at RPAC Sunday 17 September at 6.30pm. Tickets are $30 and can be booked via www.rpac.com.au or by calling the RPAC Box Office on 3829 8131 (booking fees are $4.10 by phone and $5 online per transaction).
This is one of 50 artworks I have made. It is a collection of “gum ladies” (as I referred to this art, painted from gum pigments I’ve made from my backyard). They are all females, but I will paint some males later. It is easier for me to experiment with the female ‘mood’.
A friend curator visited and suggested that I have a solo exhibition, because “they are strong”. Another curator said, “he loved the quietly vibrant feelings embedded”. I had really planned to show the gum ladies in a community exhibition next month, in Brisbane, but the work is taking its own course. I am very happy.
The work is painted like watercolour and sealed to hold the pigments. Once exhibited, originals and limited edition prints will be available for sale here.
Let me know your thoughts about my experiment that has now grown into something else.
I had a watercolour technique class tonight in Bellbowrie, Queensland, on skin tones and the weird drawings under this image are quick demos for my students on how to draw an eye, curly hair and corn-row etc. So, don’t get distracted by the massive eye – I thought it looked cool as part of my subject’s hoody (sweatshirt).
This subject has a mid-tone and as I explained to my students, I usually subconsciously draw a person that ends up looking like someone I know and has my skin colour. This guy definitely looks like one of my relatives.
The image is slightly overexposed because I took the picture with my phone and the flash. I hope you like the study.
Island Woman – Watercolour and Gesso
Experimenting with a watercolour – gesso combination, I painted “Island woman”. She reminds me of someone from my past in PNG New Guinea islands – maybe from New Britain or New Ireland.
Like other mediums, watercolour paints have names and pigment intensity. This Aussie Red-Gold (Daniel Smith) paint has to be my favorite, but I use Payne’s Grey in almost everything, so I had to prove to my students, I could easily divorce Payne’s Grey for another colour. I think it is a brilliant colour. I hope you like it too.
The Tranquillity of New Ireland
In April 1990, several months after I was crowned Miss PNG (1989), the PNG Red Cross sent me on a national tour across Papua New Guinea. The tour was to promote the work of Red Cross in charity, disaster relief, blood transfusion services and youth growth and development programmes. This trip enabled me to learn new things, see new places and make many friends. It was a discovery of the magnitude of the work of Red Cross had done in the country and how many people dependent on these services. I was happy to be part of it all and be an ambassador for Red Cross. Unfortunately this privilege no longer exists in the quest due to lack of funding and the changes to the beauty pageant.
During my Red Cross travels, I also saw some of the most beautiful parts of PNG. Pictured is a small coastal village we passed during my tour of Kavieng, New Ireland Province. I took this picture of the house on the waterfront. A few days ago, I was delightfully surprised to find the picture (above) while going through some photos from 27 and 28 years ago. It brought back many memories of the wonderful time I had experienced.
Immediately, I had to paint this little house. The colours I chose reflect the glorious feeling I had during that time, while experiencing love and friendships; the tranquillity and wonders of my beloved PNG. I was very lucky to see a lot of the country during my reign.
I hope you like the images. Feel free to comment and share the tranquillity and beauty of this beautiful PNG Province.