Tag Archives: Papua New Guinea

The Art of a Doctor: Powesiu Lawes


A self-taught artist, this man showed artistic skills as a child by simply drawing fishermen on the sandy beaches in his remote Papua New Guinea village.  Years later, he ventured into higher education and became a medical doctor, yet never leaving behind his love of drawing.

Dr Powesiu Lawes on the beach at his beloved Loniu Village, Manus, Papua New Guinea.

Born in 1957 in Loniu Village, on Los Negros Island, in Manus Province, Powesiu Lawes’ art began as drawings in the sand. He recalls that he always enjoyed capturing images of fishermen catching fish on the reef at dawn and later at dusk.

A gifted school student, he quickly accelerated from Primary to Secondary School in Manus Province, during the Australian colonial administration. From his home province, Manus, he was selected into the elite Sogeri Senior High School outside Port Moresby (now PNG Capital) in the early 1970s. He was recognised at each school he attended as a talented artist, actor, sportsman and gifted student whose abilities would enable him to do anything he wanted in the soon-to-be newly independent Papua New Guinea. PNG gained its Independence in September 16, 1975.

At that time, Powesiu was expected to train to become one of PNG’s first airline pilots, but he rejected this path and began medical school. While studying medicine,  he produced a collection of work published in his first book of art – Wati Kui: “I always wanted to help people, so medical school was a natural choice and my art and the first book – Wati Kui – was one way to pay my way through my medical training”.

After graduating from medical school, Powesiu Lawes spent some years as the senior medical officer in the PNG Navy. Then he began his private medical practice in Port Moresby. He maintained his art rugby union coaching and stayed closely connected to his beloved Loniu Village, by regularly trips home.

In 2009,  he retired from medical practice and returned to Loniu Village where he was elected the Councillor of Loniu, Los Negros’ largest village. The village has its own distinct language and cultural practices and is also known for producing  PNG’s educated elite such  as PNG’s Supreme Court judges, academics, diplomats, doctors, scientists and lawyers. Powesiu Lawes’ art is one central strategy in keeping Loniu’s cultural practices alive, along with his aim of establishing a Loniu Culture House in the village to teach Loniu’s youth their unique practices.

“Without a good grounding in the tradition of their birth” he said,  “many of them will lose their way once they leave the village for the bright lights and temptations of Lae, Port Moresby and beyond. I never did, because of the very grounding I had”.

About art, he said he has tried many different mediums – using brushes,  spray painting for murals, and coloured inks; but the result that black ink on white paper gives, is the medium that gives him the greatest satisfaction. He has completed a second book – Wati Kui 2 – and its drawings are currently shown in Redlands Performing Art Centre in Cleveland (Brisbane, Australia). It is part of the Melanesian Wantok Showcase. Here are some of  Dr Lawes’ artwork and their stories

The ‘Loniu Files’: Some customs and traditions of the Loniu people. Pen and Ink drawing by Dr Powesiu Lawes, Papua New Guinea artist

 

The ‘Loniu Files’: Some customs and traditions of the Loniu people

Loniu, like many other societies, has a well-developed set of cultural practices and traits that have provided reference points for Loniu’s cultural, social and spiritual development over hundreds of years. These have contributed to refined sets of knowledge and skills that have sustained and maintained Loniu society. The Loniu Files is a set of shared and understood ideas, idiosyncrasies, beliefs, values, knowledge and language. The substance of these has stood time’s test and cannot be disproven nor proven.

Aspects of Loniu’s culture are respect (u-uie), being sorry (kolumwamwa) and having shame (pulemachi), to whom, for what, and why; clans, their names, their number and the existence and origins of sub clans, along with each clan’s and sub clans’s origin stories and particular practices (reke pwen); in the various fishing methods, by which clans they are owned them, for what fish and whether for private or public consumption; the layout and size of a clan house (haus boi); utterances made by whom, when, where and for what purpose; who can make public speeches, where he sits or stands and why; land and sea uses and how and why, in the case of land or other property, it is given away; stages of custom and traditional practice during or after a death, when a woman is ready to marry, and gets married; and in the case of two or more wives, the use and distribution of land and other property; who is considered a leader and why; who gives advice to and stays with a young girl in her first menstruation, the advice given and why; who speaks in a haus boi during a customary event, gathering or happening, and why; circumcision of young males, the curses (pen) shouted at them by patrilineal relatives (lau-a-niataman, family of father) and why.

These are but a few of Loniu’s cultural traits with many more needing documentation. Efforts are being made to document the Loniu culture and to preserve its language. It is our identity that, because of modern influences and intermarriage, has deteriorated. Because of ignorance of the power of new ideas, practices and attitudes, not recognising these causes early enough, we have failed.

“Traditional Wealth in Transaction”. Pen and Ink drawing by Dr Powesiu Lawes, Papua New Guinea artist

 

Wealth is always used in very important transactions in Loniu society. Clay pots, wooden bowls, grass skirts, arm bands or waist bands, shell money, dog’s teeth and sometimes cowry shells.

They can be used to reciprocate for a large supply of food given to a husband’s people as bride price or as death payments to a deceased father’s people; again as in reciprocation for previous work done or land used and money or other customary events and obligations, such as in a circumcision ceremony.

 

 

 

 

 

 

 

 

Melanesian Wantok Showcase – Art and Music


Melanesian Wantok Showcase

Limited edition prints, paintings and bliums, a collection of art at the Redlands performance Art Centre, Queensland.

I am proud to announce that a collection of my artwork (art, textiles and pencil drawing) will be in a community art exhibition to celebrate the Melanesian Wantok Showcase. This exhibition opens in the Redland Performing Art Centre in Cleveland tomorrow. The music concert and will be on September 17, featuring musicians from Papua New Guinea and other Melanesian countries.

Contemporary Textile Art – Papua New Guinea

J.K.Leahy Textile. A contemporary interpretation of the traditional tapa cloth printed on cotton. 2017.

Kalem – Warrior Woman fashion. Designed by J.K.Leahy. A selection of leather handbags and silk dresses on exhibition with natural fibre woven bags in Wantok Melanesian Showcase. Redland Performing Art Centre, Queensland.

Pen and Ink Drawings – Dr Pomasiu Lawes

This is the first time ever artist Dr Pomasiu Lawes will be showing his pen and ink drawings. This blog will feature some of these artwork and stories that accompany each one, in the near future.

 

A taste of Melanesia in Cleveland

Head along to Redland Performing Arts Centre (RPAC) for a night of Melanesian music and culture when WANTOK Musik performs on Sunday 17 September, on the weekend of Papua New Guinea’s (PNG) Independence. This showcase celebration is a partnership in community cultural development with the Quandamooka Festival and is an exciting opportunity to experience a coming together of Quandamooka and Melanesian communities, artists and musicians.

The evening will feature a fabulous line-up of contemporary and traditional Melanesian musicians.  George Telek from PNG will headline the concert, bringing his signature blend of contemporary and traditional Melanesian rhythms to the RPAC stage. Telek will be joined by Charles Maimarosia from the Solomon Islands who will astound you with his talent on the pan pipes, Tio from Vanuatu with his amazing vocals, ukulele, guitar and violin skills, and Ben Hakalitz from PNG who will bring 30 years of musical experience and amazing technique on the drums to the night of celebration. They will be joined by a number of other musicians from PNG and West Papua, for an amazing night of indigenous music and culture.

There will also be the opportunity to enjoy some Melanesian food on the RPAC Piazza, and browse the art and craft display in the Concert Hall Foyer, to complete your night of Melanesian indulgence. This art and craft display curated by PNG artist/curator Joycelin Leahy in partnership with RPAC’s Elaine Seeto will be open to the public throughout the month of September, to give you more opportunity to enjoy the pieces on display. The exhibition opens tomorrow (September 4).

Don’t miss this coming together of Melanesian, Quandamooka and wider Redland communities at RPAC Sunday 17 September at 6.30pm.  Tickets are $30 and can be booked via www.rpac.com.au or by calling the RPAC Box Office on 3829 8131 (booking fees are $4.10 by phone and $5 online per transaction).

Gum Ladies – Making Art From Natural Pigments


This is one of 50 artworks I have made. It is a collection of “gum ladies” (as I referred to this art, painted from gum pigments I’ve made from my backyard). They are all females, but I will paint some males later. It is easier for me to experiment with the female ‘mood’.

A friend curator visited and suggested that I have a solo exhibition, because “they are strong”. Another curator said, “he loved the quietly vibrant feelings embedded”.  I had really planned to show the gum ladies in a community exhibition next month, in Brisbane, but the work is taking its own course. I am very happy.

The work is painted like watercolour and sealed to hold the pigments. Once exhibited, originals and limited edition prints will be available for sale here.

Let me know your thoughts about my experiment that has now grown into something else.

 

 

Watercolour Skin Tones – JKLeahy Art


Watercolour Skin Tones: JK.Leahy Art

I had a watercolour technique class tonight in Bellbowrie, Queensland, on skin tones and the weird drawings under this image are quick demos for my students on how to draw an eye, curly hair and corn-row etc. So, don’t get distracted by the massive eye – I thought it looked cool as part of my subject’s hoody (sweatshirt).

This subject has a mid-tone and as I explained to my students, I usually subconsciously draw a person that ends up looking like someone I know and has my skin colour. This guy definitely looks like one of my relatives.

The image is slightly overexposed because I took the picture with my phone and the flash. I hope you like the study.

Island Woman – Watercolour and Gesso


Island Woman – Watercolour and Gesso

Experimenting with a watercolour – gesso combination, I painted “Island woman”. She reminds me of someone from my past in PNG New Guinea islands – maybe from New Britain or New Ireland.

Like other mediums, watercolour paints have names and pigment intensity. This Aussie Red-Gold (Daniel Smith) paint has to be my favorite, but I use Payne’s Grey in almost everything, so I had to prove to my students, I could easily divorce Payne’s Grey for another colour. I think it is a brilliant colour. I hope you like it too.

The Tranquility of New Ireland – Watercolour Story


The Tranquillity of New Ireland

In April 1990, several months after I was crowned Miss PNG (1989), the PNG Red Cross sent me on a national tour across Papua New Guinea. The tour was to promote the work of Red Cross in charity, disaster relief, blood transfusion services and youth growth and development programmes. This trip enabled me to learn new things, see new places and make many friends. It was a discovery of the magnitude of the work of Red Cross had done in the country and how many people dependent on these services. I was happy to be part of it all and be an ambassador for Red Cross. Unfortunately this privilege no longer exists in the quest due to lack of funding and the changes to the beauty pageant.

During my Red Cross travels, I also saw some of the most beautiful parts of PNG. Pictured is a small coastal village we passed during my tour of Kavieng, New Ireland Province. I took this picture of the house on the waterfront. A few days ago, I was delightfully surprised to find the picture (above) while going through some photos from 27 and 28 years ago. It brought back many memories of the wonderful time I had experienced.

Immediately, I had to paint this little house. The colours I chose reflect the glorious feeling I had during that time, while experiencing love and friendships; the tranquillity and wonders of my beloved PNG. I was very lucky to see a lot of the country during my reign.

I hope you like the images. Feel free to comment and share the tranquillity and beauty of this beautiful PNG Province.

 

 

 

 

Kalam Warrior – Watercolour


A serious moment for this young Kalam warrior, from Simbai, Madang Province, Papua New Guinea. Kalam people are famous for the exquisite green fruit beetle headdresses.

 

Happy Mother’s Day to Mothers of the World


I wish you all mothers of the world a wonderful day and Happy Mother’s Day! In Australia we celebrated that special day today. I was especially lucky to have my mother Freda with us in Brisbane. And she and I also would like to remember an amazing woman and mother,  my grandmother who gave us both life. I hope to post a story this week about one of  Freda’s adventures, but for today, I want to share one of my own proud and special moments as a mother with my sons, Chris (left) and Nathan. It was the day, a long time ago when we all dressed up to celebrate the independence of Papua New Guinea and we wore our Morobean dress. We also danced on that day.

JL, Nat and Chris

Samarai Island: Once A District Nerve-Centre


Samarai is a gorgeous place. I visited Samarai 20 years ago and loved it. It is a shame that the authorities let it run down, especially when it held historical significance for Papua New Guinea from the 1920s. Thank you for sharing this post, sister Islandmeri.

Visit here for Samarai archival images from 1900s.  Read additional history from Loosenuts blog.

My Magic Moments

The south side of Samarai Island. The sight of a lone man in his canoe – still the main mode of transport for many people in these islands.

It was a short trip to Samarai from Doini Island – less than 30 minutes. I had never seen the island from this side before.

The Kwato Mission boats, MV Osiri and MV Labini would berth here some Saturdays bringing shoppers from Kwato and the famous homemade Kwato bread and buns. These were a popular hit as the ladies always returned to Kwato with the large empty bread basins.

Many happy memories of this wharf especially when the mission boats, MV Osiri and MV Labini would berth here for Kwato islanders to do their shopping at Samarai’s two main department stores – Steamships and Burns Philp and many other shops such as the hardware store.
 

Samarai was the District headquarters for the Milne Bay District before the advent of provinces. It was a hub for many islanders…

View original post 1,232 more words

BAREFOOT LIBRARIAN


I was doing some studies on stilt houses in Papua New Guinea and came across this very sweet story; an expatriate’s point of view of life in Papua New Guinea. I’m sure this ‘wantok’ (friend) does not mind me re-blogging his story about Karina. I have in the past posted historical images of Tubuserea Village, just outside the capital, Port Moresby.

Tim Bruwer Blog

I first met Karina Parina when I started my new job with Papua New Guinea’s National Library Service in Port Moresby in 1980. She was a shy, softly spoken 21-year old girl from the village of Tubusereia, about an hour’s drive eastwards along the coast from Port Moresby.

My job at the National Library was to arrange training programs for the Papua New Guinean library staff, to enable them to fill the positions that were occupied at the time by sixteen expatriate librarians. As my job involved working with staff across the organisation on an ongoing basis, my first challenge was to learn everyone’s names. I clearly remember my first introduction to Karina because her lovely rhyming name was impossible to forget.

Like most of the other Papua New Guinean staff members she went about the library barefoot. A few of the others wore rubber thongs. In the tropical heat…

View original post 884 more words