I had a watercolour technique class tonight in Bellbowrie, Queensland, on skin tones and the weird drawings under this image are quick demos for my students on how to draw an eye, curly hair and corn-row etc. So, don’t get distracted by the massive eye – I thought it looked cool as part of my subject’s hoody (sweatshirt).
This subject has a mid-tone and as I explained to my students, I usually subconsciously draw a person that ends up looking like someone I know and has my skin colour. This guy definitely looks like one of my relatives.
The image is slightly overexposed because I took the picture with my phone and the flash. I hope you like the study.
Experimenting with a watercolour – gesso combination, I painted “Island woman”. She reminds me of someone from my past in PNG New Guinea islands – maybe from New Britain or New Ireland.
Like other mediums, watercolour paints have names and pigment intensity. This Aussie Red-Gold (Daniel Smith) paint has to be my favorite, but I use Payne’s Grey in almost everything, so I had to prove to my students, I could easily divorce Payne’s Grey for another colour. I think it is a brilliant colour. I hope you like it too.
In April 1990, several months after I was crowned Miss PNG (1989), the PNG Red Cross sent me on a national tour across Papua New Guinea. The tour was to promote the work of Red Cross in charity, disaster relief, blood transfusion services and youth growth and development programmes. This trip enabled me to learn new things, see new places and make many friends. It was a discovery of the magnitude of the work of Red Cross had done in the country and how many people dependent on these services. I was happy to be part of it all and be an ambassador for Red Cross. Unfortunately this privilege no longer exists in the quest due to lack of funding and the changes to the beauty pageant.
During my Red Cross travels, I also saw some of the most beautiful parts of PNG. Pictured is a small coastal village we passed during my tour of Kavieng, New Ireland Province. I took this picture of the house on the waterfront. A few days ago, I was delightfully surprised to find the picture (above) while going through some photos from 27 and 28 years ago. It brought back many memories of the wonderful time I had experienced.
Immediately, I had to paint this little house. The colours I chose reflect the glorious feeling I had during that time, while experiencing love and friendships; the tranquillity and wonders of my beloved PNG. I was very lucky to see a lot of the country during my reign.
I hope you like the images. Feel free to comment and share the tranquillity and beauty of this beautiful PNG Province.
I’ve been working with the basics of watercolour again and seeing more colour than dirty water on paper. The “Leaves” study is an example of clean colour.
Rescuing good habits is a result of teaching art again and as my friend Terence said, it is good because teaching is learning. I am teaching my students and learning again, all the good habits I had forgotten.
Above is a render of leaves from my garden. Some of you may know the blood-red foliage of Euphorbia cotinifolia (Caribbean Copper Plant, or Red Spurge) which I often photograph and post here. The sap is poisonous, but this hardy small tree is a favourite because of its gorgeous foliage. I caught on camera a few coloured leaves at the end of autumn when the leaves went from green to golds and orange before they all fell. Above is a negative painting (homework) for my students who are learning different watercolour techniques. If you are in Brisbane and want to join my classes, please email me for details on firstname.lastname@example.org. I hope you like this study of the leaves.
Hanuabada Outskirts watercolour is completed. I have decided not to put in any more houses. It was interesting when painting and looking at the original reference picture below (taken by My Place Allen) that I discovered people inside some of the houses. Apart from the lady in the foreground, I captured a man sitting under the clothesline in the background, but I left out a few people in the middle houses. Yes…this could be a story.
All the my art shown on this blog are for sale. We offer both originals and limited edition prints. I also paint commissions. If you are interested, email email@example.com
I am painting more watercolours and that’s why I’ve been silent on this blog. It feels like I’m telling a story in a different way and this is very fulfilling. I have a few assignments to finish but I wanted to share one of these ‘stories’. Here I am working through an artwork of a young woman from Simbu, Papua New Guinea. I love her headdress and feathers. Birds are interesting and amazing creatures, but when you paint so many bird feathers, it is quite challenging. And because I love lorikeets and have raised them – there is the guilt …of the dead birds, but there’s another story – culture, nature conflict…
Anyway, I think I have almost got the Kina shells right, but the challenge of the feathers takes time. It also gives me more pleasure to learn and practice. Google Papua New Guinea culture if you want to see some real headdresses of fantastic colours, shapes and feathers.
I hope you like Meri Simbu II. I painted Meri Simbu the first six years ago and due to her popularity, it was no surprise when a client asked me for a new version. Meri Simbu II is about 800+mmx1200+ big, so I have to do small sections and pay attention to the details at the same time. The first Meri Simbu was no larger than an A4 paper size.
I will be back to stories soon. Thank you for continuing to visit the Tribalmystic blog and thank you to all those who have emailed personally me and for the birthday wishes for today.
This is a work in progress. Old man from Simbu, Papua New Guinea is a painting challenge to myself to paint larger (work) with better light and skin tone. I love the traditional dresses and particularly the headdresses from Simbu, a highlands province that is very rich in culture. I painted a young woman from Simbu a few years ago and was asked, why haven’t I painted a male from the same area. Good question. I had never thought of it. So I picked up the brush, filled the re-cycled jars with water…and, am still working on the old man from Simbu.
I found this exercise exhilarating because to get the painted black face separated from his normal brown skin and give him a background – all in dark colours was tricky. I hope you like him.
Is the word ‘sorceress’ or ‘sorcerer’ only used for the bad spells or bad medicine-making? Over to you first English speakers. Feel free to make your comments below. I had this word come up last September when I was applying for a PhD. My watercolour above is meant for good medicine. So, if you are facing some challenging times right now, I am sending you some good medicine and thoughts.
My mother and I made a list of many good indigenous or traditional medicine our people (the Bukawac-speakers) have used over the years. We both realised, a lot of the trees and special plants have been lost. To get some, our family and people have to purchase or travel to other parts of the province and sub-district to purchase or ‘borrow’ or get in exchange (barter-system) for other goods. Traditional healing using herbs and other good medicine (as I call it) is still a common practice in many parts of Papua New Guinea.