Tag Archives: JK. Leahy watercolour

Melanesian Wantok Showcase – Art and Music


Melanesian Wantok Showcase

Limited edition prints, paintings and bliums, a collection of art at the Redlands performance Art Centre, Queensland.

I am proud to announce that a collection of my artwork (art, textiles and pencil drawing) will be in a community art exhibition to celebrate the Melanesian Wantok Showcase. This exhibition opens in the Redland Performing Art Centre in Cleveland tomorrow. The music concert and will be on September 17, featuring musicians from Papua New Guinea and other Melanesian countries.

Contemporary Textile Art – Papua New Guinea

J.K.Leahy Textile. A contemporary interpretation of the traditional tapa cloth printed on cotton. 2017.

Kalem – Warrior Woman fashion. Designed by J.K.Leahy. A selection of leather handbags and silk dresses on exhibition with natural fibre woven bags in Wantok Melanesian Showcase. Redland Performing Art Centre, Queensland.

Pen and Ink Drawings – Dr Pomasiu Lawes

This is the first time ever artist Dr Pomasiu Lawes will be showing his pen and ink drawings. This blog will feature some of these artwork and stories that accompany each one, in the near future.

 

A taste of Melanesia in Cleveland

Head along to Redland Performing Arts Centre (RPAC) for a night of Melanesian music and culture when WANTOK Musik performs on Sunday 17 September, on the weekend of Papua New Guinea’s (PNG) Independence. This showcase celebration is a partnership in community cultural development with the Quandamooka Festival and is an exciting opportunity to experience a coming together of Quandamooka and Melanesian communities, artists and musicians.

The evening will feature a fabulous line-up of contemporary and traditional Melanesian musicians.  George Telek from PNG will headline the concert, bringing his signature blend of contemporary and traditional Melanesian rhythms to the RPAC stage. Telek will be joined by Charles Maimarosia from the Solomon Islands who will astound you with his talent on the pan pipes, Tio from Vanuatu with his amazing vocals, ukulele, guitar and violin skills, and Ben Hakalitz from PNG who will bring 30 years of musical experience and amazing technique on the drums to the night of celebration. They will be joined by a number of other musicians from PNG and West Papua, for an amazing night of indigenous music and culture.

There will also be the opportunity to enjoy some Melanesian food on the RPAC Piazza, and browse the art and craft display in the Concert Hall Foyer, to complete your night of Melanesian indulgence. This art and craft display curated by PNG artist/curator Joycelin Leahy in partnership with RPAC’s Elaine Seeto will be open to the public throughout the month of September, to give you more opportunity to enjoy the pieces on display. The exhibition opens tomorrow (September 4).

Don’t miss this coming together of Melanesian, Quandamooka and wider Redland communities at RPAC Sunday 17 September at 6.30pm.  Tickets are $30 and can be booked via www.rpac.com.au or by calling the RPAC Box Office on 3829 8131 (booking fees are $4.10 by phone and $5 online per transaction).

Watercolour Skin Tones – JKLeahy Art


Watercolour Skin Tones: JK.Leahy Art

I had a watercolour technique class tonight in Bellbowrie, Queensland, on skin tones and the weird drawings under this image are quick demos for my students on how to draw an eye, curly hair and corn-row etc. So, don’t get distracted by the massive eye – I thought it looked cool as part of my subject’s hoody (sweatshirt).

This subject has a mid-tone and as I explained to my students, I usually subconsciously draw a person that ends up looking like someone I know and has my skin colour. This guy definitely looks like one of my relatives.

The image is slightly overexposed because I took the picture with my phone and the flash. I hope you like the study.

Island Woman – Watercolour and Gesso


Island Woman – Watercolour and Gesso

Experimenting with a watercolour – gesso combination, I painted “Island woman”. She reminds me of someone from my past in PNG New Guinea islands – maybe from New Britain or New Ireland.

Like other mediums, watercolour paints have names and pigment intensity. This Aussie Red-Gold (Daniel Smith) paint has to be my favorite, but I use Payne’s Grey in almost everything, so I had to prove to my students, I could easily divorce Payne’s Grey for another colour. I think it is a brilliant colour. I hope you like it too.

The Tranquility of New Ireland – Watercolour Story


The Tranquillity of New Ireland

In April 1990, several months after I was crowned Miss PNG (1989), the PNG Red Cross sent me on a national tour across Papua New Guinea. The tour was to promote the work of Red Cross in charity, disaster relief, blood transfusion services and youth growth and development programmes. This trip enabled me to learn new things, see new places and make many friends. It was a discovery of the magnitude of the work of Red Cross had done in the country and how many people dependent on these services. I was happy to be part of it all and be an ambassador for Red Cross. Unfortunately this privilege no longer exists in the quest due to lack of funding and the changes to the beauty pageant.

During my Red Cross travels, I also saw some of the most beautiful parts of PNG. Pictured is a small coastal village we passed during my tour of Kavieng, New Ireland Province. I took this picture of the house on the waterfront. A few days ago, I was delightfully surprised to find the picture (above) while going through some photos from 27 and 28 years ago. It brought back many memories of the wonderful time I had experienced.

Immediately, I had to paint this little house. The colours I chose reflect the glorious feeling I had during that time, while experiencing love and friendships; the tranquillity and wonders of my beloved PNG. I was very lucky to see a lot of the country during my reign.

I hope you like the images. Feel free to comment and share the tranquillity and beauty of this beautiful PNG Province.

 

 

 

 

Leaves – Watercolour


J.K.Leahy Watercolour 2017.

I’ve been working with the basics of watercolour again and seeing more colour than dirty water on paper. The “Leaves” study is an example of clean colour.

Rescuing good habits is a result of teaching art again and as my friend Terence said, it is good because teaching is learning.  I am teaching my students and learning again, all the good habits I had forgotten.

Above is a render of leaves from my garden. Some of you may know the blood-red foliage of Euphorbia cotinifolia (Caribbean Copper Plant, or Red Spurge) which I often photograph and post here. The sap is poisonous, but this hardy small tree is a favourite because of its gorgeous foliage. I caught on camera a few coloured leaves at the end of autumn when the leaves went from green to golds and orange before they all fell. Above is a negative painting (homework) for my students who are learning different watercolour techniques. If you are in Brisbane and want to join my classes, please email me for details on joycelinleahy@gmail.com. I hope you like this study of the leaves.

 

Hanuabada Outskirts Watercolour Completed


 

Hanuabada Outskirts watercolour is completed. I have decided not to put in any more houses. It was interesting when painting and looking at the original reference picture below (taken by My Place Allen) that I discovered people inside some of the houses. Apart from the lady in the foreground, I captured a man sitting under the clothesline in the background, but I left out a few people in the middle houses. Yes…this could be a story.

All the my art shown on this blog are for sale. We offer both originals and limited edition prints. I also paint commissions. If you are interested, email joycelinleahy@gmail.com

 

Feather Challenge – Watercolour


Hi Tribalmystic friends and family,

I am painting more watercolours and that’s why I’ve been silent on this blog. It feels like I’m telling a story in a different way and this is very fulfilling. I have a few assignments to finish but I wanted to share one of these ‘stories’. Here I am working through an artwork of a young woman from Simbu, Papua New Guinea. I love her headdress and feathers.  Birds are interesting and amazing creatures, but when you paint so many bird feathers, it is quite challenging. And because I love lorikeets and have raised them – there  is the guilt …of the dead birds, but there’s another story – culture, nature conflict…

Anyway, I think I have almost got the Kina shells right, but the challenge of the feathers takes time. It also gives me more pleasure to learn and practice. Google Papua New Guinea culture if you want to see some real headdresses of fantastic colours, shapes and feathers.

I hope you like Meri Simbu II. I painted Meri Simbu the first six years ago and due to her popularity, it was no surprise when a client asked me for a new version. Meri Simbu II is about 800+mmx1200+ big, so I have to do small sections and pay attention to the details at the same time. The first Meri Simbu was no larger than an A4 paper size.

I will be back to stories soon. Thank you for continuing to visit the Tribalmystic blog and thank you to all those who have emailed personally me and for the birthday wishes for today.

 

 

Lapun Man Simbu – Old man from Simbu – Art


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This is a work in progress. Old man from Simbu, Papua New Guinea is a painting challenge to myself to paint larger (work) with better light and skin tone. I love the traditional dresses and particularly the headdresses from Simbu, a highlands province that is very rich in culture. I painted a young woman from Simbu a few years ago and was asked, why haven’t I painted a male from the same area. Good question. I had never thought of it. So I picked up the brush, filled the re-cycled jars with water…and, am still working on the old man from Simbu.

I found this exercise exhilarating because to get the painted black face separated from his normal brown skin and give him a background – all in dark colours was tricky. I hope you like him.