Island Woman – Watercolour and Gesso
Experimenting with a watercolour – gesso combination, I painted “Island woman”. She reminds me of someone from my past in PNG New Guinea islands – maybe from New Britain or New Ireland.
Like other mediums, watercolour paints have names and pigment intensity. This Aussie Red-Gold (Daniel Smith) paint has to be my favorite, but I use Payne’s Grey in almost everything, so I had to prove to my students, I could easily divorce Payne’s Grey for another colour. I think it is a brilliant colour. I hope you like it too.
The Tranquillity of New Ireland
In April 1990, several months after I was crowned Miss PNG (1989), the PNG Red Cross sent me on a national tour across Papua New Guinea. The tour was to promote the work of Red Cross in charity, disaster relief, blood transfusion services and youth growth and development programmes. This trip enabled me to learn new things, see new places and make many friends. It was a discovery of the magnitude of the work of Red Cross had done in the country and how many people dependent on these services. I was happy to be part of it all and be an ambassador for Red Cross. Unfortunately this privilege no longer exists in the quest due to lack of funding and the changes to the beauty pageant.
During my Red Cross travels, I also saw some of the most beautiful parts of PNG. Pictured is a small coastal village we passed during my tour of Kavieng, New Ireland Province. I took this picture of the house on the waterfront. A few days ago, I was delightfully surprised to find the picture (above) while going through some photos from 27 and 28 years ago. It brought back many memories of the wonderful time I had experienced.
Immediately, I had to paint this little house. The colours I chose reflect the glorious feeling I had during that time, while experiencing love and friendships; the tranquillity and wonders of my beloved PNG. I was very lucky to see a lot of the country during my reign.
I hope you like the images. Feel free to comment and share the tranquillity and beauty of this beautiful PNG Province.
In this Ted Talk, Terri Janke weaves her own personal story in with her reasons for ethical collaborations between Indigenous communities and researchers. Indigenous people hold knowledge that can be used for improving the planet and building sustainable economic opportunities. By engaging respectfully with Indigenous people, scientists and creative collaborators can potentially eradicate Indigenous people’s poverty, which stands at 15% of the world’s population.
Terri Janke was born in Cairns and has family connections to the Torres Strait Islands (Meriam) and Cape York (Wuthathi). She was awarded NAIDOC Person of the Year 2011, the Attorney General’s Indigenous Lawyer of the Year 2012, and was a finalist in the 2015 NSW Telstra Business Women’s Awards.
A Melanesian Myth.
This story is from Myths & Legends of Fiji and Rotuma. A students’ Edition and a collection of stories and illustration by A.W Reed and Inez Hames.
This story was written as it would be told by an orator at the fireplace in Melanesian societies. So imagine you are sitting in a Melanesian village and an orator (usually a male) will be telling this story. I have added my own illustration below.
Vegetables cooked in earth oven (umuu or mumu) are fit for men and gods only when placed in baskets with succulent steaming meat, rich and layered with fat, (bel gris in Tok Pisin). Then a man may take taro, yam or greens in one hand and a piece of meat in the other, and feast as though he were a god. In those days, the only challenge is to find an animal that can be steamed or roasted to provide enough meat for hungry men to eat. Man (as in human) decides, birds and rats are far too small.
“Let’s ask the gods”, man said.
Men gathered and started up the mountain to make their request to the gods. They were accompanied by fish, reptiles, animals, birds, and insects, all curious to hear the gods’ response.
The gods, who also love good food, were in good mood and welcomed the strange query from mankind. The gods inspected the gathering. Birds and other lives cowered and withdrew into the shadows so the gods would not see them nor pick them.
One of the gods reached out and caught a rat by the scruff of its neck and held it up. With arms and legs waving into empty air, a terrified rat cried: “Not me! Not me! Please not me! I am too small. I’m all bones and I taste horrible – please let me go!”
“Yes, the rat is too small – we need a larger animal” a man said.
“What about pig?” one of the gods suggested. “Now there’s a fine animal for you; rich and savoury.”
The pig was pulled before the gods by his short tail, and shivering before the gods, he squealed: “I’m too big! You could never fit me in one of your food basket.”
“Perhaps you are right Pig”, one of the gods said. “But you may be wrong”. Then the god instructed man: “Fill up a basket and put the pig on top so you can see what he looks like on top of the serving.”
The protesting pig was put into the basket. His legs fitted inside the basket comfortably, but his snout stuck out at one end and tail out the other end.
The pig gave a broad smile and said smugly to man: “What did I tell you?”
The rat who had escaped earlier, ran forward and quickly twisted the pig’s tail into a neat swirl and tucked it into the basket.
Pig still had a smile on his face. “You’ve got my tail, but you will never get my snout inside, it is too long.”
Worm rigged himself upright until he was balanced on his coiled tail.
“What is it Worm?” a god asked.
“Please, if we break the pig’s snout we could bend it up and then he should fit into the basket”, the worm said.
And that was what they did; which explains why Pig has a turned up nose and spends so much time digging up the ground in search of worms.
On my return home to Papua New Guinea on September 16th, it was the Independence Day. My son Chris and I were very lucky to see PNG people celebrating in their traditional costumes.
On arrival at the Jacksons International Airport, Port Moresby, our first meeting was with this stunning beauty. I wish I had taken more, but I only had time to take four photographs of this beautiful woman and rush to domestic terminal to transit to Lae. I will get her name later, that’s how PNG networking is, but she was dressed in Simbu traditional dress. I believe she was part of the Air Niugini staff and assisted the international departure passengers.
If you have any questions about her dress, ask me, but this post is purely to show the beauty of the image. When I come across moments like this, I am very proud to be a Papua New Guinean. My reasons being, we are unique people, we love our culture and we are always proud to show it.
PNG chiefs made threats of a civil unrest over an unpopular Australian bank deal in the $19 billion PNG LNG project , The Age has reported.
Until now, the tribal chiefs in Papua New Guinea have been happy to host a hugely profitable natural gas project on the slopes of their mountainous land.
It might have disrupted hunting grounds, ruined waterways and uprooted fruit and vegetables, but the money flowing from it also promised progress and development for the people.
So they stuck with a 2009 agreement to provide access and security to a $US19 billion ExxonMobil PNG liquid natural gas project, which has given Australia’s nearest neighbour one of the highest GDP growth rates on earth. All that, though, could change. They are threatening to “turn off the taps” after the PNG government barred their Australian lawyers from entering the country. Read more in the The Age.
A training programme to enhance the business, marketing and product development skills of cultural producers in Solomon Islands began this week in the capital Honiara. The Solomon Islands is part of the Melanesian region of the South Pacific. The secretariat of Pacific Community (SPC) reported in its newsletter Culture Talk that cultural industries in Solomon Islands represent an important economic sector as well as the country’s rich heritage and culture.
Although there are increasing numbers of cultural producers in Solomon Islands, only a few training programmes target this sector to assist producers to export their cultural goods.
Supported by European Union, the training called “Enhancing the Pacific Cultural Industries: Fiji, Samoa and Solomon Islands” project, was implemented by the Secretariat of the Pacific Community (SPC) and the Pacific Islands Forum Secretariat (PIFS). The training is held in partnership with the Solomon Islands Ministry of Culture and Tourism and the Solomon Islands Arts Alliance.