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Writing Stories

Book Interview with Suzy and Johnny – It Takes Two

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The Lazy Little Frog book was featured last Sunday on Brisbane’s 99.7 Bridge FM by Suzy and Johnny – It Takes Two.

Suzy and Johnny promote the arts on this show and have been sharing artists’ achievements and many creators’ journeys on the airwaves. They began in 2017.

You can catch them on Sundays between 6pm and 10pm in Brisbane. The duo like to support local Art Societies, Artisans, Authors and anything creative.

If you would like to listen to Sunday’s my book interview with Suzy and Johnny on The Lazy Little Frog, please click on the MP3 below. The recording is courtesy of Suzy and Johnny.

You can share this recording.

authors, blogging, Life, Living, People, Poetry, short stories, Stories, writing

How Long Should A Good Short Story Be?

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Geoffedited

Are Australian short story writers an endangered species?

I found this review by Geoffrey Dean, an accomplished Tasmanian (Australian) writer quite interesting especially while editing some of my short stories for competitions recently.

I enjoy writing short stories, ranging from “Mondays Finish the Story” (Barbara W. Beacham) flash fiction challenge of 100-150 words to stories I have written in 1500 to 3000 words in our Creative Writing Workshop with Isabel D’Avila Winter. In short story competitions, the limit to the number of words you are required to write can really change a story, as I have found recently while reducing one of my 1500 word short stories to 1000 words for a competition. I have felt in the past week that I probably could have spent less time and written a better story, if I wrote a completely new story. On the other hand, I found it much easier to increase the number of words of another short story from 800 words to the required number, 1000 words. The additional 00 words may have slowed the phase of the story, but it is work-in-progress.

Submitting to literary magazines also calls for a fit. You have to write to specific requirements with type and paragraphing or head-lining, but the main challenge is the number of words to fit a page or a column.  So how can you fit into the system? Can you be less descriptive or reduce the number of characters without taking from your plot or could you do without long passages of back-stories without killing the story?

In the following review, “Are Australian short story writers an endangered species?”, see how author Geoff Dean writes about his process of creating a short story and his discussions on the steps that took him to the end where the answer about short stories and their lengths are quite clear.  As Dean writes, one must always aim to write a good short story first and foremost before trying to fit the story “into the system”, i.e., the magazine page size or competition requirements…in other words, to hell with the system, I am going to write my story my way and eventually find a place for it.

“Are Australian short story writers an endangered species?”

Geoffrey Dean has published 80 short stories. The Tasmanian Writers’ Centre (TWC) in conjunction with Island Magazine and the Geoff and Elizabeth Dean Foundation have just launched the Geoffrey Dean Short Story Competition which is now open to Australian writers.

Born in Hobart, Tasmania in 1928, Geoffrey Dean (Geoff) had his first short story published in the mid-1950s. Scores of his stories have appeared in eight collections of his work (Mysteries, myths, and miracles; Under the Mountain; The Literary Lunch; Strangers Country and other stories; Cold Dean Monday and other Australian stories; Summerbird and other stories; Over the Fence; and the Hadlee Stories), as well as magazines, anthologies and collections in Australia, the UK, USA, Norway and China. He won many literary prizes and awards, including the State of Victoria Short Story Award and the Arafura Literary award. His story, The Town that Died was made into a TV drama and broadcast by the Australian Broadcasting Corporation in 1986. Geoff died in August, 2011.

Geoff

RRP AUD22.95, or via this site for AUD$20.
Inquiries to: anne dot hugo @ gmail dot com
Roaring Forties Press,
PO Box 368 North Hobart, Tasmania 7002 Australia

The Tasmanian Writers’ Centre

 

blogging, Life, Living, People, Stories, writing

Language and Culture Dominance on Stories

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IMAGE: AMITAV GHOSH, A GUEST AT THE UBUD WRITERS & READERS FESTIVAL

This is an interesting interview by with author Amitav Ghosh by ABC’s Michael Cathcart.  In the discussions, Ghosh talks about his life and his work, but he also points out a very important aspect of story-telling;  how a language or culture can dominate a story.

Amitav Ghosh was born in Calcutta, an Oxford graduate.; his life and work span countries and cultures.

In this program ABC (Australia) talked to Ghosh about what he has sensed in the ways in which people and cultures mix and adapt, especially with storytelling and his passion for telling the untold story. Often, in Amitav’s view, the colonial narratives are so often deaf to hearing particular voices.

ABC spoke to Ghosh about his novels The Hungry Tide (2004), and Sea of Poppies (2008) which are the first two absorbing instalments of the Ibis trilogy set in the port town and on the high seas between India and China.

On to Amitav’s audio interview with ABC: here, then click Audio

http://www.abc.net.au/radionational/programs/booksandarts/ubud-writers-26-readers-festival3a-amitav-ghosh/5792940