We all have passion and dreams, and I’m so proud to be able to share one of mine with you – through my art. Thank you for being part of my network in this beautiful world. My current batch of work is concentrated in Papua New Guinea, where I’m from. I can produce work on any subjects. The website is also a sample of websites my team can build and this service is available.
To be an e-commerce website was not smooth sailing as I had initially thought. Life as an artist itself is not easy, just like our lives as writers, and doing something you love doesn’t often put your meals on your table nor pay your mortgage. But we cannot give in, as creators, it is important to live our purpose and share what we are gifted with and enjoy through sharing the joy it brings to others.
There is one person this site would not have been possible without his help, and that person is Fateh Singh from Mind Tech Solutions. Thank you for your constant patience with a very fiery passionate and often impatient artist.
Please visit http://www.joycelinleahy.com and if you have any feedback – let me know on, firstname.lastname@example.org. You can also comment right here on this blog post.
If you can, I’d appreciate all my blog followers, contacts, friends and family members sharing this link http://www.joycelinleahy.com with your own network so I can get my art across the world.
You will find mostly limited edition prints and my fashion collection on the website. Original paintings and commission work including portraits are available, please contact me for prices.
New watercolour artwork above – “Muruk” a large cassowary (ground bird) and below two framed watercolour originals from my Solo Art Exhibition at the Royal Papua Yacht Club, Port Moresby, in November 2017, Papua New Guinea.
ABC News reports mourning across Australia of one of their great storytellers, Peter Temple. Temple died at 71. Temple was known for his unique narrative voice, that carried strength and precision, particularly when Australian dialogues.
The South African born author won the Miles Franklin book award in 2010 for his crime fiction novel – Truth which was about police corruption, murder and politics. Together Temple and TV Producer Ian Collie produced a series for ABC television called Jack Irish, starring Guy Pearce.
“The uniqueness of Peter’s writing was this incredible beauty and taut sparseness of his prose,” crime fiction author Michael Robotham said.
*A heart felt gratitude for those kind words from those of you (my readers) that enquired about my health. I am on the mend. I have been going under some major changes personally, spiritually and health-wise. I was surprised by my doctor asking me if I was hearing voices. I walked away a few days ago wondering, what if I said “yes – all my life”. In my culture, you need those “voices” to guide you – it’s your intuition but we see them also as our ancestors and guides. But there are those “voices” that we need to be aware of as well. Such an interesting topic to discuss further at some stage. I would be grateful to hear your thoughts on the matter.
I don’t want to bore you with my achievements or lack thereof from the last 20 years, because frankly that’s just being vain. But if my 20 years of living have taught me anything, it’s that life is fickle… and if I have any true fears (a part from fruit), it’s that I will wake up one day in the future with regrets of not living my life to the fullest.
This doesn’t mean that I am a full fledged supporter of treat yo’ self (arguable), because I understand that bills need to be paid and work is inevitable. And no, I’m not going to preach the need for ‘balance’ between work and play because honestly… do as you please and live how you want. But as you’re reading my blog, this is what I believe has made my life full for the last two decades.
(A special tribute to some of the powerful women that influenced my life).
My line stretched beyond the width of the fat river. The water was slightly brown-greenish – you could see fish swimming under the surface. There were plenty. Debris from two other smaller river mouths came towards us and unfolded to the current that spread across the wider larger Socwa river. The 250gm nylon fish line pressed an unseen line on the glassy surface. We were in the swamps of Wagang Village, Lae, Papua New Guinea. I felt good my hook and bait was close to the other side. Maybe it will catch the big one.
It wasn’t a race between Ma Yang and I. It was a process of an apprentice with her teacher. And the apprentice in her final learning stages before graduation. The river had risen and covered the mangrove and pandanus roots and low-lying branches are now touching it. A mix aroma of wild tree flowers hung in the air, but the sweet pandanus penetrated the balance. With the deep current, yellow and peach awaho flowers flowed in a line that meandered through the low-lying branches like ballerinas in their fluff skirts. The flower centres popped out like mini umbrellas in deep maroon and gold flecks.
At eight, I was in primary school. But in my fishing years, I was ready to enter university, so we were there to start that course. This location is not for kids as my aunt would say.
“Only for those who are special” she said with a wink.
I knew my aunt had many secret fishing places. But if my mother knew Ma Yang had brought me here, my aunt would have been in trouble. Mother was mostly away and she would never take me to such places; she said “gaming sac” – meaning bad place, and they were full sorcery and other spirits lurking in the shadows.
My lead fishing teacher was beside me, and together we carried our old rice bags, roughly cut at one end and filled with bait (shrimps). The bait were all alive. We had a bush string each for our catch tied to the bag and dangled in the water. My teacher carried a knife. Sometimes we carried a roast banana or kaukau. Dry biscuits were okay, but they made too much noise when we snapped them with our teeth.
“We can pack them, but eat them on the beach after”, she said earlier this morning.
Ma Yang and I had planned this fishing trip for days. Yang yang means yellow in my mother-tongue, Bukawac. (Aunty Yellow was nicknamed “yellow” because of her skin colour).
Today the river swelled. Lup suc means the river had fattened with partially salt, debris and waste from rotting leaves, swamp and other fish life that would provide feed for the ‘kol pis’ in pidgin which means ‘cold fish’ – these are several breeds of swamp river fish.
I suddenly felt a tug and reeled in a cold fish. It was scaly like a python with brown green and bluish undertones. My aunt looked at me to say, ‘well done!”, but it’s all in the eye-talk.
The mosquitoes were biting, but the adrenaline from the fish bites created some tolerance to the annoying buzzing and bites. Sometimes without feeling the sting, when I took my eyes off the line, I saw mozzie bellies getting bloody and tight, then the mozzies would fall off and fly away. To constantly smack the mosquitoes meant an intrusion to the balance of the stillness, and the fish would move away.
“Mamang eng – be silence as Ma Yang often warned when we entered a sacred place. Every great fisherman knows that”. With the mosquitoes, she said if we put up with pain and irritation, we would truly master the art of fishing for cold fish.
I put some water on my brow to keep me cool. It was lovely under the trees but still hot. My next shrimp bait was peeled and neatly tucked over my earlobe like a cigarette – Ma Yang did the same.
We had travelled to this spot along the beach away from the village and deep into the swamp. Aunty Yangyang always picked a new spot for fishing, because she knew. I know she learnt it from her mother and my grandmother. My aunty’s mother was my grandmother’s sister. I was always excited at the anticipation of what mystery and beauty we would discover next and the fish we would catch there. My teacher never told me where we were headed next until we got there. That was part of the lessons – I had to pay attention to the land marks and work out how to get there on my own in the future. We used only shrimp baits for cold fish. We caught the shrimps the day before in a separate stream not far from our small village.
Travelling waist-deep through the wetlands and thorn bush, sharp objects, shell fish and branches and often stepping on kalum (thorn snail). This small snail is dangerous. Its tiny spikes broke off into your foot when you stepped on it. This often got infested, and can immobilise you weeks, if not dealt with early. It is funny because the word kalum also refers to ‘havoc’ in our language. The more difficult the journey, the more fish we caught, at least that’s how I saw it.
As my line raced across the flat surface, I pulled. Before I pulled out the fish from the river, there is a dance. The kol pis likes to jerk the line a couple of times and then let go. After a few jerks, it pulls hard and that’s when you know, you have got it. Aunty Yangyang taught me to not hesitate but also, not pull too soon. If you do, you lose the fish.
After years of fishing with Ma Yang, I learnt that some of the kol pis like eboob and ewayum took the lines like the ocean travelleys and made a dash for it.
I took my fish off my hook and I put the bush rope through the gills and dropped it into the water. It was now swimming again with the others I had caught.
Ma Yang was very quiet, but she had her eye firmly on the dark corners opposite us. We had fished for most of the afternoon and had been there for almost six hours already, but she was set on catching the big one. The big one is called “ee oc”. Both our catch lines were about a metre long. This would feed several households.
The big cold fish usually came at the end, like the grand finally and often this fish would come before or after you catch an eel. They co-existed in nooks of tree roots in swamp holes – both this fish and the eel. When my aunts and grandma and I catch these with our hands, you stick both hands into the holes and gently move along the belly of the eel to find the other. In my learning days, my grandma would find them and guide my hands to feel through the thick swamp. It was exhilarating, but all done in complete silence.
The sun was setting, and it got cooler. I had questions, but I was taught not to ask questions on the job. Anything I needed to know would be asked while we were walking home or by the fire at meal time. No-one spoke when we were ‘in the zone” and the fish were biting.
It was almost time to go home, but I was not tired. As the sun threw its last rays of a golden pink powder over the open space and green scaly pandanus – its reflection came closer to us under the awaho tree. She touched the water and I looked at her. Ma Yang’s fish line raced across the water and cut in a straight line as if a knife was being inserted into a cake. My teacher flexed her large, dried palm fish rod. It bent completely to the weight of what glided in large curbing circles in front of us.
She glanced at me. The finally dance began. I knew, the big one was here, but I must keep still.
Ma Yang died a few years ago after a long illness – there is an earlier post about her. I miss her.
(To my readers: I’m sorry this post was suppose to be out yesterday, but I’ve been ill and for some reason, I didn’t post it which means there will be two posts tonight).
I wish you (men and women) a wonderful time to celebrate all women on our planet.
Tomorrow, I hope to post a small story and some pictures to honour some powerful women in my life. Pictured is one such woman who is still an influence; my mother Freda Kauc. She is pictured here with me at University of Queensland in St Lucia, when I received my Masters in Museum Studies.
Death toll reaches 75 and still counting. Major earthquake in Papua New Guinea (measuring 7.5) over a week ago with two major aftershocks leaves devastation throughout remote parts of Hela and Southern Highlands Province. There is uncertainty on the amount of damage and casualties without access, however, large areas of food gardens have been destroyed and this will cause food shortage in the coming weeks. PNG journalist Scott Waide has this update.
Timu village, Komo-Magarima is unrecognisable. Seven people are buried under the rubble.
In Timu village, Komo-Magarima district of the Hela Province, the pain of losing loved ones is still raw eight days on.
The old men cry for the loss of their sons, daughters and grandchildren who died in the landslip caused by the quake.
The village is unrecognisable. It has been replaced by tons of rock and debris.
“This is where we found the body of a baby girl. She was still breast feeding. Then we found her mother and older sister,” said Timu villager, Ando Tangiato.
A crew made up of NBC’s Sylvester Gawi and EMTV cameraman, Raguel Kepas, travelled with Dr. Tana Kiak into Timu village where it was reported that 30 people had died.
It has been difficult getting information from places like Timu. Getting accurate information is difficult and expensive. As the helicopter circled the…
I’ve always loved this song sung by Nina Simone, but Inyang Bassey has her own riveting high energy take. Her style is hard to pin into a single music category, except her own exquisite sound. Read and hear more here.
Why? During the holiday season, I became incredibly envious of all the snaps and posts of the London winter. I had also just purchased a faux suede jacket that had no use in the Australian summer, so… I booked my ticket.
Double Decker Views
Quick snap between shops, Oxford Street
For the first couple of days, I hopped onto the tube and got off at random stops. The best way to see a place is to get lost, right? It was the more mundane parts of the city that attracted me, like the little side streets and residential areas. Getting lost within these was more exciting than seeing the major attractions swamped with tourists. In saying that, there’s a reason why people swamp these attractions.
“Buried in that place in Covent Garden”
Old Spitalfield Markets
I was lost at this point
Travelling alone, you do a lot more observing. The…