All posts by tribalmysticstories, lazylittlefrog.com

Author, Artist, Arts Curator, Climate Activist, Anti - Violence against Women, and Entrepreneur

Short Story: The Christmas Opal


Picture: http://www.aussietreasurechest.com.au

Draft (Opening Chapter – JL Memoir series)

The Christmas Opal

I looked at it. The black briefcase sat by the door. It was Saturday, mid year, 1988. The mid morning light through the slit in the curtain, drew a right angle across the exposed top corner. This did not lightened the case colour, only, it darkened what remained of the briefcase in the shadows. The thick heavy-backed curtain kept the case concealed. There was a twirling spectacle of dust stirred by the slow-moving fan. The dust particles moved between the dark case, and the top of the opened window. This twirling dust caught my eye briefly as this spot of light was the only light in the room today. From the dark interior, it was hard to tell that the sun was high, the sky was blue and it was 36 degrees outside. The unit had trapped dust but how do I get it out? I was limited to what I could do, and what I could not do. My boundaries were quite clear as they were bashed into me several times over four years. I also knew whom not to speak to and where not to go. Sometimes I felt like a trapped animal and sometimes I was just like a chipped, trapped dog in a yard with electrical fencing all around and someone watching from the shadows.

It was getting hotter and I felt thirsty. I took a step to the briefcase. It was bulky, large, and square, with gold fittings like a pilot’s or a travel case . It had black strong rubber wheels and gold clasps that snapped shut. I looked at the briefcase and did not touch it, afraid.

I have heard him snap-shut the clasps and the lock so many times. He liked that, the strict, military-type barking of orders and routine snapping of things into place. Orders for curtains to close when night fell. Open curtains, he said, meant, I was sending out invitations to be seen, to be looked at, by strangers and our neighbours.

“What if it’s a trap?” I almost whispered, delaying my urge to open the damn briefcase. My curiosity tugged at me one more time but I refrained from touching it. I could never imagine what could be held inside this large dark briefcase.

I went upstairs to the bathroom and washed my face. It was hot. Then I returned down the stairs and sat down at the last one. My legs were weak, but I was not hungry. My eyes went back to the case.

It could fit a small gun perhaps, but he already had a sewn-off rifle. I remembered him removing, caressing and dressing the gun with a soft towel and placing it like a baby in its cuddle spot, in his car. He was excited by his newly acquired possession. Apparently, he got this gun from his cousin, and that was a piece of information I needed to know. I thought to myself, as I poured myself a glass of water, to cool down. What a cunning backstory to cushion my fear that he had access to a gun or weapons, any time, from his relatives.

I stood up and walked the few steps to the front door and peeked outside. The car-park was still empty.

He had stored the rifle in his car booth, under the spare tyre. A fine hiding place, where betel-nut chewing, sleepy, corrupted Port Moresby police were too heedless to look during roadblocks.

“No”, I told myself in realisation. He would not trust me with a gun inside the house. It has been almost four years. I was not dead yet, but something has happened to me. I was no longer myself nor was I the 19-year-old virgin from strong Lutheran faith. I was no longer the traditional Papua New Guinea village-innocent girl that he had conquered. I believed that he knew this. I believed he knew I had changed and this meant one thing – my days were numbered.

I collected the large pillows and took them outside. The colourful coleus amongst my tropical plants in the pots cheered me up. The pillows were heavy and only for show. No one used these pillows; they sat and collected dust on the New Zealand sheepskin leather, which covered parts of the downstairs/lounge. Under the cream sheepskin was a large olive-green, black and white carpet. The carpet looked Moroccan. The lounge was a sombre decoration completed with a collection of prints that I thought were depressing. Curly haired, empty, pale and ghost-like maidens, stared down from sepia prints. They showed no particular emotion, yet, their eyes looked sad. Whoever drew these miserable women, sold them to the right person, that was my view.

I picked up the last pillow and went out the back. I shook bread crumbs off the pillows into the backyard and laid them on stacked sandy-brown pavers, lined with pot plants. There were three of the pillows. Regaining composure, and letting my aching body breathe fresh air, I stepped inside. I thought of cleaning the windows but it meant, I would open the curtains. He liked them shut.

“It keeps the sunlight off the artwork,” he said sarcastically. I wondered if I was the artwork he referred to. Not the monochrome of beautiful and sad curly-haired pale women with very large haunting eyes.

I crossed the small lounge to the front door. Remaining inside, I opened the door enough to look outside. I kept my hand on the handle. I dare not step outside, someone might see me and report back. No-one was there. The normal raucous of the compound seemed to have disappeared. The compound area of 1000 square metres encased three blocks of cream concrete airline employee residential units. They were all quiet. His unit was in the first block, second last. The Talis tree outside, in full bloom had seduced bees and insects and a few city birds watched for their own meals. The wide, long leaves were turning yellow,  orange and red, like autumn colours in the movies I had seen. The Talis tree usually housed wives and babies of employees under its cool shade. Today, the shade was abandoned.

I pulled back into the unit, closing the door behind me and locking it. I felt the coolness of the ugly 1970s brown tiles on my feet even when the air inside was hot. I looked at the case again. I had nowhere else to go today. The order was to stay home. I stared at the briefcase again. It was Christmas Eve. He left it there. Why had he not taken the briefcase to work? I decided to ignore the briefcase. This was a test and I was very tired.

I completed and took the washing out and hung it. I returned inside the hot two-bedroom brick unit and counted seven small presents I had bought and wrapped. I felt ashamed. I told myself, I was weak and revolting. I was pathetic. I bought these presents – for what? I hated him. My hands were sweaty, I was trembling and my heart beat faster as I thought of what lay ahead. Three things could happen this Christmas. One, I could be dead. Two, there could be a resolution to this relationship. Oh, the third thing…I could kill him. The third was pathetic and I knew it.

My eyes glazed over with tears as I laid the presents under the green, fake Chinese-made Christmas tree. The tinsel and the plastic brush leaves scattered and messed up the base. I did not care. I hated fake things. I let the tears come, that’s was all I had. The tree had red and white bells with some glittering reindeer. I was very careful not to trip the tree over even though, I did not like it. Then, I picked myself off the floor and went to the briefcase and opened it. I felt my face burnt with excitement and fear. My trembling hands worked swiftly over books, papers and travel documents. The smell of planes mingled with the strong smell of vinyl.

My hands touched a small box. It was a dark blue jewellery box with sharp edges. I pulled it out, unafraid anymore. I opened the lid and it stayed ajar. Inside, immaculately placed in white cushion padding were a set of Australia’s beautiful white Opals. There was a pendant with matching earrings. The settings were in gold. It was a perfect Christmas gift for a woman, I thought, marvelling at its beauty. I remembered these opals from the Brisbane duty-free shop. The white opals were my favourite from all the other colours but it was not something I would ask for. I looked at the stones, mesmerized by their beauty, even from the mouth of the dark briefcase. Briefly, I thought of the depth of the earth where they came from and years the stone took to form and evolve into such luminous work of art. I thought of the person that spent laborious hours grinding, polishing and shaping them. I made jewellery so I knew the work involved. The light sipped into and was trapped in the stones, lighting and reflecting layers of intricate colours. The Opal had a sense of innocence, purity, and tenderness. Suddenly, I felt cold and quickly placed the small box back in the briefcase and snapped it shut. Deep down I knew, these Opals were not for me.

Cool Stuff – Klassen Makes Wood Sing


12-artsy-tables-wow-factor-7-living-edge

I love wood when it is combined with steel and glass. I have posted other beautiful furniture here on Cool Stuff.  Here is another work of art from Washington-based artist and furniture maker Greg Klassen.

“I try to marry the natural beauty of the wood with the skilled craftsmanship of the maker. When the two come together, a piece can really sing!” Klassen said.

Klassen’s beautiful lake-like features of desks and tables straddle the line between furniture and art. He seeks out wood with defects and unique features from his local sawmill which he exploits to his advantage by turning them into the focus of each piece he makes. He does it so cleverly that the defects become the art.

Klassen 2

Due to his relationship with a local sawmill, Klassen has access to pieces of raw wood, which means that he can make use of its natural forms and beautiful imperfections for his creative furniture. These organic forms lend natural power to the rivers and lakes on his tables, which are completed with custom-cut panes of glass and look much like features on a topographical map.

Klassen

 

 

http://gregklassen.bigcartel.com/products

http://boredboard.com/transform-raw-wood-to-art/

Intriguing Wonders of Melanesian People


There is a term I heard when I was growing up. It was “yellow-top”. It was also called “blondie top”. I have heard people from mine and other provinces used this term in Papua New Guinea to refer to East New Britain and New Irelanders. It was not meant to be derogatory in any way; people from these places had natural blonde hair. This ‘look’ is found in many other Melanesian populations across the Pacific. I guess this blonde look on black skin has intrigued other races but to us (Melanesians), it is quite normal.

I accidentally found this video on YouTube and I wanted to share it. I found some of the narration quite amusing, especially in the pronunciation and arguments about the races/genes that could have contributed to the hair colour. The study was interesting.

………………………………………

In the next video, as it is Christmas Eve, I wanted to share some gospel music from the Melanesia. As majority of our people have followed Christianity, these songs are for worshipping. The Melanesian Choirs (Solomon Islands) sung these songs in the movie, The Thin Red Line.

This choir and the songs remind me of Christmas and my childhood memories. I miss those days when I spent Christmas with my mother, grandmother and aunts, and we would sing. It is this time that I remember all these amazing women, some gone and some afar, that love to sing their hearts out. I hope you enjoy the choir.

I wish you all a wonderful Christmas!

 

 

The Sisterhood of World Bloggers Award


World Sisterhood Blogger Award

I want to sincerely thank MillieThom for nominating my blog, Tribalmystic, for, The Sisterhood of World Blogger Award. Millie is the author of Shadow of The Ravens. Millie makes history sound like hot romance. She writes about various subjects with many fascinating historical content, and that’s why I enjoy her blog.

Once again, the show of kindness is deeply touching. Thank you Millie, fellow bloggers, friends and readers for supporting this blog.

The Sisterhood of World Bloggers Award

Five rules to follow:

  1. Thank the blogger who nominated you, linking back to their site.

  2. Put the Award logo on your blog.

  3. Answer the ten questions sent to you.

  4. Make up ten new questions for your nominees to answer.

  5. Nominate seven blogs.

Ten Answers About Me

1. What do you like best about blogging?

I love the writing or storytelling in blogging. This becomes more valuable with the responses I get from the readers and respect from the blogging community. I also love reading and learning from other writers/bloggers. I am driven to seek new or interesting stories for my readers. These stories can be  humanitarian news, environment and nature stories, inspiring human stories or stories about beautiful things.

I enjoy writing fiction, but on this blog, most of my stories are about life. I love writing about my culture and heritage and that helps maintain my sense of identity. I also understand the greater world we live in, therefore, I cannot ignore the realities of cruelty and poverty; what we humans do to one another. As a victim of violence myself, I want to see an ending to violence against women, children and the helpless – so I write about these topics. When I feel something is not right when I am reading an article, I share the post or write about it too. My passion goes beyond mankind. It includes other living things in the ocean and all nature. Blogging about the real and the living is the least I can do. Many risk their lives every day to fight for what is right, or to save other lives. I can only do it with my keyboard and posts on this blog, from the safety and comforts of my home.

2. If you could visit any place in the world, where would that place be and why?

I would like to go to Zanzibar, Africa one day. I would learn to dance like the Zanzibar women. Sounds crazy? Well, in 1998, I was in World Festival for Island Cultures in Cheju Island, Korea. I was pregnant with my second son. In a very rhythmic  performance, I saw large women from Zanzibar dancing at the festival like I had never seen before. They were big and heavy but so light on their feet and movements. It was incredible. I come from the islands and we dance, but not like this. From that day, I thought, I would like to go there and learn to dance like that. I am sure, the music ran through these women like their own blood. I tried to learn while on Cheju but my stomach was in the way. This trip is on my bucket list.

3. If you could change one thing about your life, what would it be?

I would like to change my pace of doing things – from fast to slow. I feel sometimes that I need to slow down and relax. I do not sleep enough. Writing is helping me to slow down, sit and think more than I have ever done in my life.

4. List 3 things that you are proud of doing / having done.

  1. Being a mother.

  2. Standing up for Women’s Rights.

  3. Being a Climate Change activist

5. What was your favourite subject at school, and why did it appeal so much?

I have never had one particular subject appeal to me – I loved many. I really enjoyed Maths and History apart from Arts, Philosophy and Literature. I loved problem solving and satisfying my curiosity. I enjoy old stories and understanding meaning of life. Social science and Geography were fun too. I could be in nature and interact with insects, animals and also people.

6. Is there any particular environmental issue that causes you concern?

What deeply concerns me is Climate Change and sea level rise in small Pacific Island nations, less than two metres above sea level. These islands will be lost soon. I would like the developed countries to lend their ears to hear us. Help us work together for a better planet for our future generation. It is not only about us sinking. We only have Earth to live on. Our earth deserves better treatment. In Australia, Prime Minister, Tony Abbott announced last week, his proudest and best decision he made was to reverse the climate policy. Two days ago, he employed a climate skeptic. The ignorance and denial of developed countries such as Australia is shameful.

7. What is your favourite childhood memory?

Being in the swamp, catching fish with my grandmother was what we did daily, for our food. One day, my grandma and I went to town with almost $5. She made this money from selling betel nut. She told me, she felt like eating bread so we went to town. It was a long walk and then a bus ride. We headed for the bakery in Lae City (Papua New Guinea). Grandma bought a whole loaf of white, unsliced bread; still hot and straight out of the bakery oven. The smell of the bread was unbelievable. Hugging the hot bread, I walked with grandma to the supermarket and she used the change to buy a tub of butter. Then we searched for a shady tree and she broke the loaf in half. She told me, it was half each.

“Eat it all” she said.

We dipped the halves in butter and ate the whole thing under the shade of a tree in the middle of Lae town. Bread was a treat. We never had that in the village. I cannot believe how much I ate that day. I can still smell the bread, 40 years later.

8. Who is your favourite character in a novel or film and why do you like them so much?

I love too many. One worthy of note is the common decency and friendship developed in Shawshank Redemption. I loved it because life has a way of rewarding us if we listen and feel more. Sometimes, because of our own perceptions, we miss the truth, opportunities and friendships.

9. What is your greatest ambition in life?

To teach more about LOVE by showing more LOVE. Hopefully it will grow and help others feel the same way.

10. What is the biggest compliment you have ever had?

I have been told that I am a good listener. That compliment is a kind one because, I am a very good talker too. I believe that being a good listener, takes skill. I hope they are right.


I have chosen these sister blogs because I really enjoy reading them, and I learn a lot from the writers. Some of these ladies make me laugh and I really like that because life is not all about being serious.

  1. A Refugee’s Journey – Vietnam to Australia

  2. Razorbackwriteraus

  3. Fifty Shades of Reality

  4. Altitude of Art

5. Poetheart

  1. L.T.Garvin

  2. Love Letters to Spam

Ten questions to nominees

  1. What makes you want to blog?

  2. What inspires you in life?

  3. What are your three favourite things and why?

  4. What is the most important thing you have ever done?

  5. Describe where you would like to live in the future and why?

  6. What do you miss most?

  7. Is there something special you would really like to do for someone and what is it?

  8. Do you have a lucky charm? Tell us about it.

  9. Have you or anyone close to you had a near-death experience? What happened?

  10. Name one thing you would like to do to change the world, if you could and how would you do that.

 

 

 

The Sorcerers’ Watch


The Sorcerers’ Watch

JLeahy memoir series – opening chapter/short story

We buried him this afternoon. He had died a week ago. There were a few hours left before the sorcerers would come for his remains. That’s what his father said. We needed to get to his grave before dusk and guard the grave until dawn. His father, mother and I left for Karogo’s graveyard after the last of the gathered family members left.

My aching joints gave me small comfort as I forced them to help me walk quickly up the main road, away from Saroa Village. We were near Rigo, Central Province, Papua New Guinea and in this region, witchcraft and sorcery were rife. We walked inland, headed for the small hill where Karogo and some of his deceased family members had been buried. Other villagers buried their dead in their backyard, gardens and other special places; something I was not used to. In my village, we had one cemetery for everyone.

The heavy rain and dense humidity kept the soil on the road, wet and slippery. The red clay had been washed frequently down the hills by the torrential rains leaving earthy red lines meandering through rough patches of grey and black gravel. I placed my feet carefully away from the soft red mud and in between the milky puddles. I wore thongs and these flipped a backsplash of sand and muddy water onto the dress. My clothes and looks were the last things on my mind.

For a few minutes, I stepped off the main road and I walked along the greyish clay roadside track. The muddy track was imprinted with hundreds of footprints from local traffic. I passed a few thongs left stuck in the mud and this made me want to smile. A pair of thongs was a priceless footwear. Obviously the toe parts of these pairs came apart so the thongs had been abandoned. Karogo’s father was ahead and his mother was walking behind me. I knew the couple had planned to be in this position, to protect me.

I walked as quickly as I could because it was getting dark very quickly. The moon was still rising but night creatures were already on the scene, I could hear them.

Today had flown by quickly like each day in the past week. The funeral only ‘formalized’ the death certificate. Karogo was long gone and this absence was so stark in this strange village. This place was an hour’s flight and several hours on the road, south from my home town. Apart from his immediate family, I did not know anyone. That did not bother me. I wasn’t afraid to spend the night in the graveyard. I knew I was a stranger and as his father told me, “you are a target, so you must follow everything I say”.

“Ok” I said. My own family had taught me how to handle any kind of situation with sorcery. It was always best to follow local rules as grandma would say. I had really wanted to go to the graveyard. That may have sounded crazy, as it sounded to me, but I needed to know what the sorcery-watch was about and I wanted to see Karogo again. Fear was not my issue. I could face the sorcerers or anyone from the dead.

It was not fear, as I had said, it was my anger. Karogo’s death made me very angry. This anger was so strong, that I felt cold and hardened inside. I started to feel older and stronger than my 17 years. I had insisted to his parents to take me to the grave tonight.

The torch slipped out of my tired hands and dropped into the mud almost tripping me.

“Shit!” I cursed and picked it up quickly. I quickened my pace to reach Solomon, Karogo’s father. As I caught up, my mind went back to the funeral again. My eyes salted and I wiped them quickly.

This morning about 9am, while the pastor was preaching, trying to cover his eulogy and bring closure to Karogo’s 18 years of living, I had felt every vein in my heart burst into tatters. Our past three years together were a mixture of child-play and maturing into adulthood together. Then, there were the mysteries in his life that I now could never ask anyone about, ever.  He was beautiful inside and out, but he had secrets.

In the front pew, among strangers today, I felt I had been thrown off a plane into a strange place where no one understood my language or me. People were just staring at me, even in church, while the pastor was preaching. To find comfort amongst the staring pitiful eyes, I had looked down at the bright red roses on my black polyester dress. The hem had come apart but the dress kept together. My “Gypsy dress”, Karogo had called it. We were together when I bought this Gypsy dress at the second-hand store in Lae. I was on two weeks mid-year holiday from Year 12. The dress cost me 50 cents. It was strange to feel at ease for a moment while looking at the red roses on the Gypsy dress. I wanted to see Karogo alive in my memories about the dress but only briefly I saw him before my eyes moved and focused on the coffin. The roses in the wreath on his coffin were alive. Karogo wasn’t. He laid there, just like he could have been on the day-bed at his father’s house. His eyes were shut, but he wasn’t sleeping in the opened, beautiful, rosewood coffin.

My dress was the only item that connected us briefly and at that moment in the village church. I sat amongst hundreds of strangers. Mourners, children and adults, dressed in white,  kept sneaking glances at me, probably feeling sorry for the young widowed girlfriend. I had cried inside and begged for my heart to stop right then. Yet, above the haunting Perovetta hymn at the funeral service, I could hear my heart still beating while I tried to understand why death could come to a life so young and promising.

“Joyce!’ someone had called me in the church. I remember, I did not even turn. Perhaps it was someone else with the same name. I didn’t know. I was in a daze. My thoughts were too far-gone. I had wanted to know why my chest kept moving, expanding, and contracting. I was breathing air and life, which I did not want, into me. I had wanted to stop breathing.

“Joyce!” Solomon called.

I turned my head quickly to him. I paused. He was a large, tall man with a large Afro. He combed it out neatly and sweat combined with water from his wet hair was coming down his face. He pointed a few metres ahead of me. The physical and emotional pain returned to my body once more as I stepped in the slippery, pale mud towards him.

“Come this way”, Solomon directed and I walked closer to him.

“Are you ok?” he asked, searching my face when I stopped and looked at him. We were both sweating from the walk. His wife caught up and wiped her flushed, sweaty face. She also looked at me concerned.

“Yes”, I tried to smile.

“Let’s go”, Solomon said.

We turned away from the main road and reached a small, slow flowing creek, about ankle-deep. The stones in the creek were all covered in green and black algae. We crossed the creek as the day’s shadows dissolved, forcing us to use artificial light. Solomon lit the Chinese kerosene lantern and gave me the large torch. His wife held the smaller torch. We climbed. In a few minutes, we will be at Karogo’s graveyard.

(Draft only)

How Whales Change Climate


Short stories are back in fashion


I am not quite sure where any stories or short stories were in or out of fashion but I had to share this post from The Independent. Perhaps this point was made based on the literary publications’ responses to short stories in the past. All I could think of was, things must be looking better for short story writers.

Short stories revived: They are back in fashion, as established, and fledging, writers return to the form

Aesthetica magazine writing competition
ARIFA AKBAR Author Biography Thursday 18 December 2014

Raymond Carver, in a Paris Review interview, spoke of seeing his first short story, “Pastoral”, published in a literary magazine as “A terrific day! Maybe one of the best days ever.”

When he reached another landmark moment in the 1960s and his story, Will you Please Be Quiet, Please? was printed in The Best American Short Stories Annual, he took the book to bed with him.

This year, I helped to judge a short story writing competition for the Aesthetica Creative Writing Annual – a collection of new writing in poetry and short fiction. The writers in the annual, plucked from a longlist of over a thousand entries, should feel the same sense of reward and validation as Carver. These are stories that the reader can take to bed and there, encounter the joyous flexibility of a form that can present an entire fictional world in just 2,000 words, or the entirety of a single, crystallised moment in the same word count.

It is particularly satisfying to see the fortunes of the short story revived in recent times. Following Alice Munro’s crowning last year as Nobel Prize winner for literature, some of our most revered writers – Margaret Atwood, George Saunders, Lorrie Moore, Graham Swift – have since proved with their latest collections that the short story is to be taken seriously and not merely a transitional form for fledging novelists-in-training.

I found a refreshing breadth of style and subject matter in competition entries. What makes them so diverse is not just the internationalism of their entrants but their imaginative scope. Themes range from family dysfunction, love and loss to the hard-edged social realities of dementia, domestic violence and public acts of terror, though there is playfulness too. Several dramatise the fragile, polar states of old age and of childhood in original ways.

Corinne Demas’s Thanksgiving, a subtle story of sibling bonds and betrayals, stood out for judges as this year’s winner. It is an unshowy piece of writing – nothing more, it would seem, than a brother and sister taking a car-ride together after a festive family dinner. Yet, emotional undercurrents swirl beneath the surface to give it heft and complexity, and there is a quiet, controlled confidence in its telling.

Each selected story was marked by its distinctive voice, from the lyrical to the spare to the loud and large-hearted. These are the tales that wriggled their way beneath the skin, working a groove in the mind to surprise, impress, or merely to remain memorable. We hope that readers will be as moved, unsettled, and dazzled, as we found ourselves in their reading.

*The Aesthetica Creative Writing Award, now in its eighth year, s an annual prize hosted by Aesthetica Magazine. It is as an opportunity for emerging and established writers to showcase their work to an international audience, and the winners and finalists are published in the Aesthetica Creative Writing Annual – a collection of new writing in poetry and short fiction.

For more information visit, http://www.aestheticamagazine.com/creativewriting

The Australian Government and the ABC – A Christmas Special


I am sharing this post for friends and writers in Australia and others who follow the work of the ABC. The article was posted by the Australian Society of Authors today.

The Government and the ABC – A Christmas Special

In the ricochet of the Abbott government’s $254 million, 5% cut to the ABC over five years, it has been announced that more than 300 ABC staff would lose their jobs over the next period.

Impacts on Australian writers.

This will have a serious impact on writers. Among the departures will be people who create scripts, intros, narrative, jokes, segues, back-announces and such other incidentals that radio and television production need. Producers, program makers, presenters, commissioning editors – many of whom wield precious word skills to produce ‘content’ – will also be eliminated.

We express sympathy and solidarity with salaried or contract staff who will find themselves terminated – but equal sympathy must go to the freelance writers who have relied on the meagre copyright or broadcast fees payable for use of their work.

The proposed closure of Poetica, Mike Ladd and Krystyna Kubiak’s long-standing program celebrating and supporting poetry in Australian life, is a further betrayal of the national broadcaster’s Charter, which includes: “… programs that contribute to a sense of national identity and inform and entertain, and reflect the cultural diversity of the Australian community …”

Poetica

Poetica has run every week since February 1997 bringing poetry to a mainstream audience on ABC Radio National. From this program alone it appears that 9 out of 18 producers – i.e. writers – are to be sacked. At its peak Poetica reached 90,000 listeners per week, with many more via the internet.

Poetica made 900 programs, 60% of which featured contemporary Australian poets. It brought their work to a wide audience and provided the poets with some much-needed income through the fees paid for broadcast. Their publishers benefitted through some exposure. And booksellers reported a rise in enquiries and sales of the poetry titles featured.

In the absence of a dedicated poetry program with its own timeslot and separate website, assurances that poetry will continue to be featured on Radio National are merely a sop.

Poetica is one of many culturally valuable writing-centred programs to have been axed in recent years; others include The Book Reading and Short Story. It appears that this latest is a ‘specialist’ program of a kind that no longer lies within the brief of the broadcaster – or if it does, is not worth paying for.

Despite the ABC Charter, ABC programmers more and more ignore the need to respond to and facilitate ‘special interests’. If the ABC does not actively and vigorously support such an interest as literary creativity – something that is central to education and the nation’s intellectual life and arts – what exactly does it support?

The ABC’s efforts to ape the styles and motives of commercial media and internet organisations are meanwhile risible. 100 people are to go from News and Current Affairs to fund a $20 million digital investment program and 70 new digital jobs, suggesting it will now seek new space in a highly competitive online environment, with no guarantee of further reach or loyal audiences.

The ASA accuses the ABC of ill-informed, uncaring behaviour and helping to send writers broke. Shame on ABC management and shame on its political masters.

Copyright © 2014 Australian Society of Authors, All rights reserved.

Shakuhachi – One Man’s Meditation


I found this beautiful story on Jonnathan Dunnemann blog.

I come from Papua New Guinea where traditional bamboo flutes are played in most of our regions. My mother plays the flute. It was a beautiful sound I grew up with.  The Shakuhachi is a Japanese bamboo end-blown flute, which has a rich culture and history associated with it. It is believed the Chinese brought Shakuhachi to Japan in 6th Century.

Blind New Zealander Kevin Falconer has made the sound of bamboo his own by developing his own relationship with bamboo, the craft and the Shakuhachi music. I found his story very moving and at the same time very inspiring. We are only limited by what we set for ourselves.

Kelvin Falconer walks through his bamboo groves, with tall shoots of bamboo towering over him. The bamboo littered with beautiful hand-made terracotta tags that Kelvin has made for knowing how long each culm has been growing for.
Once he finds a suitable shoot he proceeds to patiently craft the bamboo using only his senses of touch and hearing. At a glance Shakuhachi appear to be simple instruments but the understanding and skill in shaping even a basic flute is something which requires Kelvin to have an acute knowledge of the physics of sound and a finesse to fine tune each unique culm of bamboo.
Through playing the Shakuhachi, Kelvin is able to develop a calmness which he describes as ‘Meditation through Sound and Breath’. Through watching him craft a flute from beginning to end we are witness also to a craftsman putting his all into every detail.
Kelvin shows us that the Shakuhachi is a tool that can bring calm and focus to distracted and stressed Minds. His flute becomes a metaphor for what we ‘make’ in our own lives and through his craft he transcends his perceived disability and the limitations of Blindness.
Type: Documentary
Country: New Zealand
Year: 2012
Filmmaker: Michael Hobbs
Format: Digital 1080
Language: English
Subtitles: N/A
Colour: Colour
Film Ratio: 16:9
Sound Type: Stereo
Running Time: 11m38s

The Melody That Stole Me


Anhang 2

“The music of the “2 Days and a Year” album tells stories of the world of daydreaming, falling snow, sunlight glimmering on the water, night skies, and not least, the value of the fragile moment,” said Jens Felder.

Imagine taking all those complexities and depths of nature, seasons, feelings and thoughts then combining it all into music. No wonder the music sounded so good. I guess that is what all artists strive for when creating something wonderful.

When I first heard Jens Felder play 2 Days and a Year,  a few weeks ago, I let this melody steal me. I wanted it to. It was a piece of music that I could go places with.  I love music and I have a large collection. hen’s is a combination of many types of music from many parts of the world. I played Jen’s music over several times, just to see if I could get tired of it. I didn’t. I don’t mean this in a negative way. Part of me wanted to play it again, but the other part kept wondering why I wanted more. I do not know how to explain it in words. I am sure every once in a while, we find something beautiful and it affects us. Life is beautiful and mysterious. I could not imagine life without music. 

Like everything we do in life, there is a story. In Jen’s story, his music is his life story.  I could not write his story better, therefore, I left my interview follow in Jen’s own words:

I am playing guitar for over 30 years now. I can’t remember the first time I had a guitar under my fingers. The feeling is still very present. When I held the guitar, I knew immediately that it was exactly what I was missing in my life. Playing music feels like a meditative experience, like “being in the moment“. The silence is expectation and excitement, and gets filled with sound. The silence returns images and echoes back, what gives me great joy and peace. My goal was and is, to communicate the emotions I experience in the music through my instrument.
My heroes were the old masters and so I studied classical music for many years.  I completed a postgraduate study with Andreas Higi at the music college in Trossingen and attended various master-classes by i.e. Frank Bungarten, Carlo Marcione and the amazing Aniello Desiderio.
The learning was followed by many solo concerts with classical programs. I was fortunate to play in chamber music ensembles with violin and vocals and also worked as a soloist with orchestras.
I now live with my family in southern Germany and work as a freelance artist and music teacher. The old masters are still my good friends, but now I play my own music. In my pieces melds classical music with elements of world music. You can hear African or Asian modes and even some nods to rock music all within the context of solo classical guitar playing. It feels like a trip around the world with the language of classical music.
As a composer, I have worked with various artists from different regions of the world, including also music for short films.
In early December, I published my first solo guitar album “2 days and a year”, available on iTunes and Amazon as a download.
The title piece “2 Days and a Year” is a story about time perception in music. I have written this piece in 2 days, but the emotional experiences have accompanied and influenced my music all year thereafter. So this piece has become the title track of my album. I’ve written a text, which describes the emotions of this time (also in the booklet of my album):

“Time is different in music. Close and friendly it is
drifting by – sometimes flying, sometimes even
standing still, but never passing. Nothing gets lost –
the first tone is not older than the last one.

All music is a child of its time, but not bound by time.
It arises from moments and lives in people. Musicians
capture that moment in time and listeners make
the music their own. These moments are present, and alive.

iTunes link to “2 days and a year” album: https://itunes.apple.com/de/album/2-days-and-a-year/id946450529?uo=4

Soundcloud link to the “2 days and a year” piece: https://soundcloud.com/jens-felger/2-days-and-a-year