Tag Archives: Music

Pidil: A Small but Powerful Instrument


Published on Sep 17, 2014 by komnairima

I love interesting sounds, particularly  unusual musical instruments from Papua New Guinea. Here is the Pidil, a rare instrument belonging to the Gunantuna of The Blanche Bay Area of New Britain. I have read that this instrument is played by men during ritual ceremonies to attract young women into the bush. We can guess what that means. 

I do not have any more information on the object except for the sound of it which is on the YouTube link below. The brown, almost finely polished seed, (it’s naturally like that), is common in PNG in coastal areas. In my province we remove the inside and hollow the seed before we use it as a decoration on string bags (bilum). We also  string a bunch of the seeds together to make it another musical instrument, that sounds like a shaker. The women and men carry the bunch and shake them to create the sounds that accompany the kundu drums, singing and dancing.

Rabaul is the famous centre of New Britain. It is known for the Japanese occupation during the world  war and also for its volcanoes. Since January 1942 the Japanese had held Rabaul on Blanche Bay, the flooded crater of an extinct volcano which gives deep water almost to the shore. The regional area and the province itself is rich in culture and heritage. The Pidil in New Britain has a longer story behind it. I dare not ask, I am a woman, but, someone from this area may offer us some follow-up story for this blog in the future. For now, click on the link to listen to its sound.

The Melody That Stole Me


Anhang 2

“The music of the “2 Days and a Year” album tells stories of the world of daydreaming, falling snow, sunlight glimmering on the water, night skies, and not least, the value of the fragile moment,” said Jens Felder.

Imagine taking all those complexities and depths of nature, seasons, feelings and thoughts then combining it all into music. No wonder the music sounded so good. I guess that is what all artists strive for when creating something wonderful.

When I first heard Jens Felder play 2 Days and a Year,  a few weeks ago, I let this melody steal me. I wanted it to. It was a piece of music that I could go places with.  I love music and I have a large collection. hen’s is a combination of many types of music from many parts of the world. I played Jen’s music over several times, just to see if I could get tired of it. I didn’t. I don’t mean this in a negative way. Part of me wanted to play it again, but the other part kept wondering why I wanted more. I do not know how to explain it in words. I am sure every once in a while, we find something beautiful and it affects us. Life is beautiful and mysterious. I could not imagine life without music. 

Like everything we do in life, there is a story. In Jen’s story, his music is his life story.  I could not write his story better, therefore, I left my interview follow in Jen’s own words:

I am playing guitar for over 30 years now. I can’t remember the first time I had a guitar under my fingers. The feeling is still very present. When I held the guitar, I knew immediately that it was exactly what I was missing in my life. Playing music feels like a meditative experience, like “being in the moment“. The silence is expectation and excitement, and gets filled with sound. The silence returns images and echoes back, what gives me great joy and peace. My goal was and is, to communicate the emotions I experience in the music through my instrument.
My heroes were the old masters and so I studied classical music for many years.  I completed a postgraduate study with Andreas Higi at the music college in Trossingen and attended various master-classes by i.e. Frank Bungarten, Carlo Marcione and the amazing Aniello Desiderio.
The learning was followed by many solo concerts with classical programs. I was fortunate to play in chamber music ensembles with violin and vocals and also worked as a soloist with orchestras.
I now live with my family in southern Germany and work as a freelance artist and music teacher. The old masters are still my good friends, but now I play my own music. In my pieces melds classical music with elements of world music. You can hear African or Asian modes and even some nods to rock music all within the context of solo classical guitar playing. It feels like a trip around the world with the language of classical music.
As a composer, I have worked with various artists from different regions of the world, including also music for short films.
In early December, I published my first solo guitar album “2 days and a year”, available on iTunes and Amazon as a download.
The title piece “2 Days and a Year” is a story about time perception in music. I have written this piece in 2 days, but the emotional experiences have accompanied and influenced my music all year thereafter. So this piece has become the title track of my album. I’ve written a text, which describes the emotions of this time (also in the booklet of my album):

“Time is different in music. Close and friendly it is
drifting by – sometimes flying, sometimes even
standing still, but never passing. Nothing gets lost –
the first tone is not older than the last one.

All music is a child of its time, but not bound by time.
It arises from moments and lives in people. Musicians
capture that moment in time and listeners make
the music their own. These moments are present, and alive.

iTunes link to “2 days and a year” album: https://itunes.apple.com/de/album/2-days-and-a-year/id946450529?uo=4

Soundcloud link to the “2 days and a year” piece: https://soundcloud.com/jens-felger/2-days-and-a-year

 

The 2014 Afrovibes Festival


Celebrating the end to Apartheid in South Africa 20 years on 

13 Oct to 8 Nov

http://youtu.be/J0_UV_i4QPk

The City of Birmingham, United Kingdom, welcomed the festival this week from October 21 to this Saturday, October 28.

This year’s festival bringing the very best of contemporary South African theatre, music, dance, film and culture to the UK
marks 20 years since the ending of apartheid and the building of the new South Africa. 

Afrovibes brings to UK, ten productions at 17 venues in 13 cities of England, Scotland & Wales. Afrovibes is a European focused  presentation of contemporary performing arts from South Africa. The festival scouts for and programmes topical African performing arts productions. These productions promote the exchange of knowledge and practice between European and African artists and theatre makers. 

History of Afrovibes

Since the festival began in 1999, Afrovibes has developed into a multidisciplinary arts festival which takes place in both the UK and the Netherlands. It connects arts and culture from South Africa with European audiences, bringing talented emerging and established African artists and their work to European venues.

Founded in the Netherlands, the festival is now a valued addition to arts provision in the UK, having been always supported by Arts Council England.

The first UK edition of Afrovibes (London, Birmingham, Manchester) took place in 2010. The second, much larger festival was in 2012, and was presented in Cardiff, Nottingham, Liverpool, Lancaster and Hereford as well as the three original cities. In 2014. Newcastle, Swansea, Bracknell, Edinburgh and Glasgow will now be added to the list.

Artistic Direction

The Artistic Director of the Afrovibes festival is the South African director / actor James Ngcobo, who has recently taken on the role of Artistic Director at the Market Theatre. Ngcobo is also an award-winning stage, television and film actor both in South Africa and internationally. He was previously Associate Director of The Market Theatre and Creative Director of Sibojama.

http://www.afrovibesuk.com/